Syringa josikaea (Hungarian Lilac) is a species of lilac, native to central and eastern Europe. . Miss R. Mills (active 18361842) was also the main illustrator for Knowles and Westcott’s The Floral Cabinet (1837-1842). . Benjamin Maund's The Botanist was a five-volume series that introduced 250 new plants from 1836 to 1842. The series is notable for its many female artists: the plates were drawn by Maund's daughters Sarah and Eliza, Augusta Withers, Priscilla Bury, Jane Taylor, Miss R. Mills among others. The other characteristic is partial colouring - many of the finely detailed copperplate

Syringa josikaea (Hungarian Lilac) is a species of lilac, native to central and eastern Europe. . Miss R. Mills (active 1836~1842) was also the main illustrator for Knowles and Westcott’s The Floral Cabinet (1837-1842). . Benjamin Maund's The Botanist was a five-volume series that introduced 250 new plants from 1836 to 1842. The series is notable for its many female artists: the plates were drawn by Maund's daughters Sarah and Eliza, Augusta Withers, Priscilla Bury, Jane Taylor, Miss R. Mills among others. The other characteristic is partial colouring - many of the finely detailed copperplate  Stock Photo
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Contributor:

Album / Alamy Stock Photo

Image ID:

P5N7R4

File size:

43.8 MB (3.2 MB Compressed download)

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Dimensions:

3429 x 4464 px | 29 x 37.8 cm | 11.4 x 14.9 inches | 300dpi

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Album

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This image could have imperfections as it’s either historical or reportage.

Syringa josikaea (Hungarian Lilac) is a species of lilac, native to central and eastern Europe. . Miss R. Mills (active 1836~1842) was also the main illustrator for Knowles and Westcott’s The Floral Cabinet (1837-1842). . Benjamin Maund's The Botanist was a five-volume series that introduced 250 new plants from 1836 to 1842. The series is notable for its many female artists: the plates were drawn by Maund's daughters Sarah and Eliza, Augusta Withers, Priscilla Bury, Jane Taylor, Miss R. Mills among others. The other characteristic is partial colouring - many of the finely detailed copperplate engravings are left with part of the flower and leaves uncoloured.